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Four in Roman Numerals is “IV” –but “IV Real” by K.O.D. and Ora Slick is really focused on another meaning of IV. The Ehanyes-produced song–over melancholic trap and echoing sirens–is an injection of real, mainlined with sickening accuracy. K.O.D. plays the manic dope dealer–washing down paranoia with brown liquor while his voice cracks between anger and pain. Ora Slick is the foil–providing concise raps with enough slickness to warrant the name. Together, the duo’s hot/cold dynamic allows them to deliver a perfect shot of anxiety ridden trap–capable of soundtracking a banger or that moment when you don’t know who could be knocking on the door.

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Poleboy Mookie Releases New Visual ‘I Can’t Breathe’

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Poleboy Mookie Releases New Visual 'I Can't Breathe'

After dropping “Still Hungry, Pt.2” last month, Poleboy Mookie returns with his latest effort, “I Can’t Breathe.” Shot by RIPADAM, the visual finds the Dorchester native addressing some things even though he’s normally not for the chit chat.

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Video: Pada Esco ft. 4dot – “Ringing”

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After releasing the remix with Quality Control’s Skippa Da Flippa back in July, Boston’s own Pada Esco calls on the services of 4Dot to shoot the visual for the original version of the Johnny Guapo-produced track, “Ringing.” Shot by @PXVCEGODFILMS out in Atlanta, the visual opens up with audio of Mitch (played by Mehki Phifer)’s famous scene in the 2002-film, Paid In Full.

A nigga like me man, I love the game, I love the hustle man. I be feeling like one of them ball player niggas you know … like Bird, Magic or something. Yeah, you know a nigga got dough, a nigga can leave the league; but, if I leave … the fans still gon’ love me, man?

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Shawn Caliber – In The Company Of Kings ft. Dub Aura, Nat Anglin, Lee Boy, Ea$y Money & Chilla Jones

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Gearing up to release his next full-length project, Shawn Caliber drops “In The Company Of Kings” featuring fellow Harlem native Dub Aura and some of Boston’s finest: Lee Boy, Nat Anglin, Ea$y Money of Showoff Records and rising battle star Chilla Jones. Produced by Ayindé, this posse cut showcases a royal offering of clever wordplay and witty lines about everyone’s claim to the throne.

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