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(REMIIX)tape with Shawn Grant

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Born and raised in Chicago, IL., Content & Social Media Editor of Karen Civil/Live Civil – Shawn Grant – has always had a passion for music. What started as a hobby, Grant was able to turn into a full-fledged career, creating his own brand ‘ShawnGranted‘ where he quickly garnered up attention landing interviews with Marlon Wayans, Terrance J., Joe Budden, Amber Rose, Angela Rye, and more. Shawn Grant has even started his own podcast, ‘StayLo Podcast‘ alongside his co-host Els, and new addition, Bria J’nae.

Starting only four years ago, it’s safe to say that this journalist is on his way to becoming a ‘household name.’

“Continous positive impact of hip-hop and R&B through print and digital media along with marketing and event effort,” Grant says when asked about his end goal.

[Tweet “Continous positive impact of hip-hop and R&B through print and digital media along with marketing and event effort – @ShawnxGrant”]

For this interview (and what you’ll see with most interviews for these series), Shawn tells us his favorite mixtape of all time, whether or not the mixtape game is a dying art, it’s influence on his career and more. Check it out below.

What’s your favorite mixtape of all time and why?

This is hard for me. I could go to the streets and say Gucci Mane’s The Movie, was with Kendrick for years so I could say, O.D. The Chicago connection could make me say Acid Rap, but my favorite has to go to J. Cole’s The Warm Up. I heard about him as this guy that Hov signed. As a Roc stan, I had to listen.

From there, being a freshman in college, it served as, like my soundtrack. It was a coming of age story for both Cole and me. Hearing the freshness of “Lights Please,” the tackle of Kanye produced cuts like, “Just to Get By,” Cole really had everything.

[Tweet “Hearing the freshness of “Lights Please,” the tackle of Kanye produced cuts like, “Just to Get By,” Cole really had everything.”]

How has the mixtape game inspired your career in journalism?

The mixtape game just gave me a new method of releases; it always kept me with something to listen to. If nothing more the releases made me seek out more information, read about the artists who were releasing them, I’m talking peak 2DopeBoys days. As a kid going to college in the middle of Missouri, the best journalism school there is, I’m looking at it like I could write about them and those to come too.

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How do you think the mixtape culture shaped hip-hop?

The culture showed that you didn’t need a label to get music out to your fans. It created a bond between artist and fan that kept the latter fed with new releases. On top of that, mixtapes made stars and introduced new artists. But two things that people may or may not realize is that mixtapes created to the now ‘indie wave’ and also helped with the surprise drop of music.

When artists drop mixtapes nowadays, it’s usually over original beats versus someone else’s. Do you think the mixtape culture is becoming a dying art?

I don’t think its dying due to the beat choice. Gucci was giving us mixtape after mixtape of original music, Jeezy’s Can’t Ban the Snowman and others was all original. I think what is hurting the mixtape culture now is the blending of lines to what is a mixtape and what is an album in the sense of a rollout. You ask a fan about Chance the Rapper’s Coloring Book and they consider it an album, [but] Chance will state it as a mixtape. With technology these days, you physically don’t have to possess a tape, CD, or download a file. Everything is going to a digital streaming service, which is cutting out those hubs like LiveMixtapes and Datpiff, not to mention the DJs. It’s just a different game.

[Tweet “I think what is hurting the mixtape culture now is the blending of lines to what is a mixtape and what is an album in the sense of a rollout.”]

What’s your view on the industry trying to profit off mixtapes versus selling it for free?

I don’t have a problem with it. Everybody has to eat at the end of the day. What I think helps the fan and the artist is with everything going to streaming sites and the fans already paying for that service it’s kind of a blind financial support. I pay $9 a month for Apple Music and then for TIDAL as well, so if a Meek Mill drops another Dreamchasers on there, in my eyes it appears I’m getting it for free cause I’m not giving out money beyond what I already paid, but the artist is getting paid in some form off my spin.

Do you think mixtapes are still a source of discovering new artists?

This depends on who the artist and the listener is. Case in point, if you were to hand me a Lil Pump tape and I had no urge to listen to it or know nothing about him, I wouldn’t be eager to play it at all. But let me hear a single like, “Gucci Gang,” and I may be more inclined to hear more. If “Bodak Yellow” wasn’t fire would we look to hear Cardi’s album? That saying of “put your best foot forward” is true here. Give me a fire single and I’ll hear your tape.

[Tweet “Give me a fire single and I’ll hear your tape.”]

Does a lane for mixtapes and its DJs still exist?

There is a lane for it. There are plenty of people I think about now like, Damn, I would love to hear this person get a Gangsta Grillz with Drama or this person from Atlanta. It would be great to have that DJ Scream voice bringing it in for that culture of their city. It’s a cultural thing, almost nostalgic, more than anything else now.

[Tweet “It’s a cultural thing, almost nostalgic, more than anything else now.”]

Shawn’s Miix Pick: Gangsta Grillz: The Movie – Gucci Mane

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Nigerian Artists to Watch Out for in 2024

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Afrobeats, a captivating fusion of hip-hop and electronic elements with West African rhythms, has become a global sensation in the music industry. Although well-known heavyweights like Burna Boy, Wizkid, and Davido still dominate the scene, a new generation of gifted musicians is emerging and has the potential to propel the genre to new heights.

In recent years, we have witnessed the rise of stars like Rema, Asake, Tyla, Ayra Starr, Libianca, Fireboy DML, and a host of others armed with unique sounds, captivating lyricism, and undeniable stage presence, pushing the boundaries of Afrobeats by infusing it with elements of R&B, pop, and even alternative sounds.

This year, the Nigerian music industry is experiencing a surge in popularity from a new breed of talents. Let’s meet the Nigerian artists you need to know:

Qing Madi

Chimamanda Pearl Chukwuma, better known by her stage name Qing Madi, is a multi-talented Nigerian singer, songwriter, and performer who is shaping 4music with her distinctive blend of pop, soul, R&B, and Afrobeats. Her breakthrough single, “Why,” released in 2023, quickly gained popularity, marking her arrival in the Nigerian music scene. Her unique style and artistic ability are harmoniously blended in “Why,” a song that mixes melodicism and an irresistible rhythmic drive.

With her self-described Afro-R&B sound, Qing Madi has boldly carved out her own musical niche while elegantly following in the footsteps of famous Afrobeat giants. Qing Madi recently unveiled her latest project, inviting listeners to experience the unique melodies and lyrical depth woven into each track. The self-titled project “Qing Madi” showcases the artist’s dedication to her craft, further solidifying her position as a significant figure and one to watch out for in 2024. “American Love” is one track off the EP that is promising, and I suggest everyone take a listen. Listen here.

Oladapo

Nigerian musician Tonade Oladapo Adetunji, better known by his stage name Oladapo, is a multi-talented singer, songwriter, and performer. His sound, described as “Afro-fusion,” combines highlife and R&B melodies with unique contemporary elements, all artistically complemented with elements of his native Yoruba and Nigerian Pidgin. His listeners are taken on a never-ending musical journey by his soulful vocals and artistic vision.

Oladapo’s newest body of work, “IN CASE I NEVER LOVE AGAIN (ICINLA),” is poised to win hearts once more. A story of poignant intimacy, the 10-track project offers a cathartic journey for people who have felt the pain of unfulfilled emotional connections. Listen here.

Morravey

Daniella Daniel Ibinabo is a singer, songwriter, and creative who goes by the stage name Morravey. With her soulful vocals, this fast-rising R&B musician has undoubtedly captured the eye of the Nigerian audience, going from making covers to becoming an online sensation. Recognized for contributing her beautiful yet exceptional vocals on “In the Garden,” one of the most celebrated albums of 2023, “Timeless” by Davido.

The buzz surrounding Morravey’s debut EP, RAVI, which consists of five mesmerizing tracks, is growing. The EP, released on November 2, 2023, includes the top-charting track “Magician,” a collaboration with Davido. Listen here.

Winny

Winifred Ohili Adanu, popularly known as Winny, is a talented artist from Nigeria. With her unique vocal delivery and a sound that combines R&B/Soul, Afro, and reggae, the gifted singer offers her music a distinct edge. Inspired by artists such as Chris Brown, Wizkid, Chronixx and Kranium, Winny aims to convey love, compassion, self-awareness, and a sense of belonging through her music and songwriting.

Winny proves she’s one to watch with her breakout self-titled EP “WINNY.” Her breathtaking single, “Pretty,” is a lovely song with excellent writing and composition. It debuted in the Top 200 of the Apple R&B/Soul Chart in Nigeria, Kenya, the Congo, and the Gambia. Listen here.

Kold AF

Aninooritsewarami Alero Oritsesan, a Nigerian rising star with a unique voice and style who goes by her stage name Kold AF, has proven why she is a queen in her own world and deserves everyone’s time and attention. Through her popular song covers, the rapidly budding artist has gradually and steadily grown her fan base.

Her recently released body of work titled “KOLLIDE” showcases her genre-bending ability that shares the spotlight with her superb songwriting. Kold AF is making a difference with her distinct style in Nigerian music by experimenting with Pop and R&B, complemented with dancehall style. She is showing signs of being a force to be reckoned with. Listen here.

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Culture

The Rise of R&B Music in Africa

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The world’s music industry has always been inspired by Africa, the continent of rich cultural heritage. In the African music scene, R&B is experiencing a significant comeback, despite the historical dominance of Afrobeats, Amapiano, Gengetone, and other genres. This is an exciting development for the continent.

Africa’s R&B scene is proof of African musicians’ uniqueness, versatility, and creativity. R&B has always been associated with romantic themes and soulful songs, but African musicians are giving the genre a distinctive new direction by incorporating elements of their own cultures and musical tastes.

Africa has a never-ending love for good R&B; South Africa, Nigeria, Kenya, Ghana, Zambia, and Uganda have the highest R&B listenership on Spotify. Collaborations between international superstars and African musicians in the R&B genre are becoming more frequent than they were a decade ago, mostly due to this tremendous rise.

From the mesmerizing strains of “Big FU” by David Guetta, featuring Nigeria’s finest Ayra Starr, to the captivating melodies of “Sensational” by Chris Brown, Davido, and Lojay, and Travis Scott jumping on Tyla‘s “Water,” one of Africa’s breakout songs of 2023. Africa’s stars are shining bright on the world stage.

And now, African singers are also connecting with one another to release global hits all on their own.

Soulful vocals combined with modern production techniques, Afrobeat loops, and traditional African rhythms are being skillfully blended by musicians all throughout the globe. This blend produces a sound that not only resonates with listeners but also bridges the gap between the past and the present.

In Africa, R&B is growing in popularity more than ever. We see that the power of music transcends all borders, whether by location or generation, as this global journey spreads like wildfire.

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Lil Durk Cancels Rolling Loud Performance & ‘Sorry for the Drought Tour’ Dates

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Lil Durk Cancels Rolling Loud Performance & ‘Sorry for the Drought Tour’ Dates
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Lil Durk has made the difficult decision to cancel his much-anticipated Rolling Loud Miami performance and a significant portion of his ‘Sorry for the Drought Tour.’

The announcement comes after the rapper was recently hospitalized for dehydration and exhaustion, as reported by TMZ. Lil Durk, whose real name is Durk Banks, expressed his regret at being unable to take the stage but prioritizes his health and well-being above all else. Despite the setbacks, the artist remains positive and is looking forward to resuming his performances as soon as he receives medical clearance.

“Since I’m still awaiting to get full clearance from my doctors to travel and perform again, I have no other choice but to cancel my headlining Rolling Loud performance.,” Durk said in a statement to Akademiks. “While I’m home resting, I am looking forward to my two homecoming shows on the 11th & 12th in Chicago. For the rest of the country, I’ll be announcing new dates soon. #StillHealing”

Despite the unfortunate circumstances leading to the tour’s postponement, there are still some bright spots for fans. Five of Lil Durk’s shows remain unaffected by the cancellation. Among the unaffected performances are two hometown shows set to take place at Chicago’s United Center, with one of them being an appearance at 107.5 WGCI Summer Jam on August 12.

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