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Music

Kaash Paige – Love Songs (Remix) Ft. 6LACK

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After ending December off with the release of her EP Parked Car Convos, Dallas songstress Kaash Paige revisits the project, remixing the EP’s bonus track, “Love Songs.”

Tapping on the serves of Atlanta’s own, 6LACK, the record finds the two going through the ups and downs of a relationship and is tired of the games.

Stream the remix of Kaash Paige’s “Love Songs” featuring 6LACK below.

You can catch Kaash Paige at Rolling Loud: Miami from May 8-10.

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Entertainment

DJ Drama Reveals Tracklist for New Album ‘I’m Really Like That’

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DJ Drama Reveals Tracklist for New Album ‘I’m Really Like That’

As he prepare for the release of his brand new album, I’m Really Like That, DJ Drama has been promoting the project with a series of videos reenacting scenes from the 1992 Ernest R. Dickerson film, Juice. Getting the original characters Raheem, Q and Steele to reprise their roles, DJ Drama plays Bishop, with a surprise appearance by Queen Latifah, Juelz Santana, Jim Jones and more.

With the project dropping at midnight, DJ Drama is treating fans to 14 tracks, I’m Really like That features guest appearances by Tyler, The Creator, the late Nipsey Hussle, Lil Wayne, Jeezy, Rick Ross, Lil Baby, T.I., Wiz Khalifa and many more.

Check out the official tracklist below.

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Albums

Rosemarie Cuts Deep With NEW Soulful EP, “ROCK PAPER SCISSORS”

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Rosemarie "ROCK PAPER SCISSORS"

Rising R&B star Rosemarie brings forth an emotional EP that is a fresh breath of realness we all needed as brings us through heartbreak and a journey of self worth packed into 8 tracks.

Rosemarie’s ROCK PAPER SCISSORSis an impressive and dynamic R&B EP that showcases the singer’s soaring vocals and bold songwriting skills. Throughout the eight-track collection, Rosemarie demonstrates her range and versatility as a vocalist, drawing comparisons to the likes of Keyshia Cole and Tammy Rivera.

From the opening notes of “Siren,” Rosemarie’s confident and powerful voice takes center stage, soaring over ambient instrumentation filled with a peaceful and melancholy guitar. Her delivery is full of attitude and swagger, reminiscent of Keyshia Cole’s signature vocal style. The song opens the EP with power and longing, using the opening notes to bring an anthem of isolation.

The lyricism is telling the story of a woman struggling within her own head and trying her best to stay afloat in a world that is “never what it seems” leaving the listeners to hear her cries for help from a distance. Setting a serious and moody tone for the rest of the project, Rosemarie does a phenomenal job conveying these emotions across the album. 

But while Rosemarie’s vocals may bear some similarities to Cole’s, she brings her own unique flair to the genre. Her voice is distinct and full of personality, with a rich and emotive quality that sets her apart from her contemporaries.

This is especially evident on the EP’s standout track, “Best 2 Out Of 3.” Here, Rosemarie showcases her range and emotional depth as a vocalist, singing with raw honesty about the pain of heartbreak and the struggle to move on and start over new. Singing on staying in a relationship and trying to work out the differences, brings a sense of relatability to the project. Her voice is vulnerable and haunting, drawing the listener in and holding them captive with each note.

On the 4th track, “Aprovecha,” the singer continues to impress with her sultry and seductive vocals. The song’s hypnotic beat and sensual melody are the perfect backdrop for her voice, which drips with a sense of danger and eroticism. Her vocals are both powerful and delicate, as she sings in Spanish about the thrill of a how being taken advantage of can take a dangerous and interesting turn. This is a wonderful background to the album, as it shows the artist’s background and explores Latin R&B and reggaetón elements.

But while Rosemarie’s vocals are undeniably impressive, it’s her songwriting skills that truly set her apart. Each track on “ROCK PAPER SCISSORS” is a masterclass in R&B songcraft, with lyrics that are both introspective and relatable.

On “Fake Love,” for example, Rosemarie sings about the irresistible pull of attraction, exploring the tension between desire and restraint. The song’s pulsing beat and her breathy vocals create an atmosphere of tension that perfectly captures the track’s theme. Focusing on the singer’s pain in losing her lover and realizing that no relationship is easy and in soul searching, finding the one is hard when there is so much fake love in the world.

Similarly, “What I Like” is a powerful anthem of self-love and empowerment, with the artist declaring her independence and refusing to settle for less than she deserves. Her vocals are fierce and unapologetic, embodying the strength and confidence of the song’s message.

Throughout “ROCK PAPER SCISSORS,” Rosemarie proves herself to be a force to be reckoned with in the world of R&B. While her vocals may bear some similarities to Keyshia Cole’s, she brings her own unique perspective and voice to the genre, crafting a collection of songs that are both timeless and timely.

In an era when so much of mainstream music feels generic and cookie-cutter, Rosemarie stands out as an artist with a clear and distinct voice. “ROCK PAPER SCISSORS” is a testament to her talent and creativity, and a must-listen for fans of R&B and soul music.

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Juice WRLD’s NEW Posthumous Single “The Light”: Hope Personified

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juice WRLD The Light
Andy Ford/NME

Juice WRLD’s eccentric vocals and electronic harmonies find a way to bring happiness to our grey world with a message of perseverance and hope in new 3 minute emo-rap single.

Juice WRLD‘s team has released the latest single “The Light” , in anticipation for the rapper’s third and final posthumous album, “The Party Never Ends.” This single showcases the late artist’s undeniable talent for crafting emotionally resonant and catchy tracks. From the opening notes, the song’s hazy and dreamlike production sets the tone for a melancholic yet uplifting journey, taking us on a trip through the artist’s mind. forming a sense of relatability by showing the ups and downs of his struggles.

Lyrically, Juice WRLD reflects on the struggles of addiction while in the spotlight and the toll it takes on mental health. He acknowledges the dark thoughts and insecurities that come with the view of the public eye, but ultimately chooses to focus on the light that can be found amidst the darkness when choosing to act by love rather than relapse into addiction. His flow is smooth, as he effortlessly switches between singing and rapping, conveying a range of emotions with ease.

Lines like “Some people get hurt and never love again, Some people get hurt and give the drugs a binge, Some people get dressed and go and hit the club to mend, There’s no love in one-night stands, but you can play pretend “ highlight the artist’s vulnerability and introspection, always hitting on how many people will put on a metaphorical mask to go about day by day, when inside they are struggling. His lyricism was a vessel to bring awareness to his fans and many others showing that they will never struggle alone and that love will preserve, so to not give up no matter where they are in life.

Musically, “The Light” features a hypnotic and infectious hook that will stick in your head long after the song ends. The production is phenomenal, combining shimmering synths with trap beats to create a lush and atmospheric backdrop for Juice WRLD’s vocals .The use of autotune is subtle and tasteful, enhancing the overall feel of the song without overpowering it. The beat drop towards the end of the track is a powerful moment, as the late rapper delivers a heartfelt message of hope and perseverance.

Overall, “The Light” is another strong entry in Juice WRLD’s discography and a testament to his songwriting prowess. While it’s bittersweet to hear new music from the artist following his tragic passing, the track serves as a fitting tribute to his legacy and the impact he had on the music world. However, with news that the final posthumous album should be out sometime later this year, it is only right to be excited to celebrate and appreciate the music that was left for us to enjoy.

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